Proxy Touch: A Conversation from the Warzone.
Not reportage, but mediated intimacy. A performer interviews an emotional surrogate in Ukraine, who offers care—and desire—as a form of activism. She insists that her emotional and sexual surrogacy for soldiers is not only survival but performance art, a lineage of women’s labor reframed as political resistance.
Three voices. Three registers of power.
One reads the raw words of refugees fleeing war. Another overlays the bureaucratic language of governments justifying “efforts” to manage suffering. A third drowns them both with the polished rhetoric of international organizations. Together they form not a dialogue but a dirge—human pain, rationalization, and humanitarian theater collapsing into noise. In this piece, the audience is not innocent: you can walk forward and silence one of the voices, choosing whose truth is erased.
Voices Collected for an Unfinished Symphony
A public sound composition built through spontaneous interactions.
The performer moves through space inviting strangers to speak, hum, confess, or remain silent—gathering fragments of language into a live score of collective presence and sonic residue.
Fantasy Market.
A cam performer offers fantasies, ideologies, and emotional labor for sale. She may be human. She may be AI. The transaction is simple: desire, commodified. But the unease is not. What happens when intimacy itself becomes uncertain—when the object of longing might be nothing more than an algorithm dressed in flesh? The performance stages that tension: projection, purchase, suspicion, rage. A mirror held up to loneliness in an age where even our surrogates may be fake.